It took a while to realise I had skill in balancing complex ideas about the world. With various societal changes in 2020, my identities and interests as an artist suddenly became the interests of the media.
I usually approach editorial work as the opportunity to create grand cartoon architectures around these larger than life subjects.
New Yorker: National Trust invesigation
VQR: Peter Berbegal memoir extract
Atlantic: James McBride extract
Businessweek: MLM exposé
New Yorker: Colson Whitehead extract
VQR: Joseph Earl Thomas extract